All in Movie Reviews
A surprising and thoroughly enjoyable film, [REC] roots itself in the real world just enough to stand tall where most of its peers stumble.
An iconic work from a man who would become a legend, this is a film you've almost already seen, owing to its towering influence on the genre.
Beneath scores points for the ride, but it gets lost in a mountain of other horror flicks - the ones that won't take the time to dig a little deeper.
We Are What We Are has more to offer than you might suspect, and its secrets - while haunting - are no match for the darker struggles of human existence it uncovers.
Final Girl just barely makes it into the so-bad-it's-good category, but only if you can manage to look past how seriously it takes itself.
The Killing dives deeper than expected and reveals more with each visit, an energetic and determined debut from a master of the form.
Hard To Kill combines over-the-top action, a ridiculous story, and a hilariously clichéd soundtrack into something Mason Storm himself couldn't resist.
Tusk is an interesting idea that's partly well-executed but ultimately a drifting mess, anchored only by a very solid Michael Parks.
Sadly, America 3000 is everything that can go wrong with a b-movie, without the charm or the fun, baked into 90 minutes of Cannon slop.
It's not perfect - it stumbles a few times as a western and it's certainly no gore-fest - but there's a lot of style and a whole lot more substance than you might expect.
Girl House delivers a climactic orgy of slayings and stabbings with just the right amount of tension to keep up the pace. And, boobs.